Friendship: Cultivating Relationships that Enrich Our Lives (Women of Faith Study Guide Series) Review

Friendship: Cultivating Relationships that Enrich Our Lives (Women of Faith Study Guide Series)
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We chose this book for our women's bible study and were disappointed. It is shallow and opens the floor for too much personal sharing instead of what God's Word says. As I was going thru it, I finally thought it must have been written by a younger woman who has not lived the hard life experiences we all go thru as we gain wisdom in our years.

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Archie & Edith, Mike & Gloria: The Tumultuous History of All in the Family Review

Archie and Edith, Mike and Gloria: The Tumultuous History of All in the Family
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I thought while reading this book how thoroughly done it was. I thought about how much I loved All in the Family, how connected I felt to each character, how I identified with Mike, Gloria, Edith and even Archie. How real it was to me. When a piece of literature, brings back all of those feelings and memories, it is something to remember. Pictures, stories, Archie-isms and an episode guide are just a few things that make up this book. I recommend it to all Archie Bunker fans and haters alike. This book is one of the best documentations of characters you love to hate, that I have ever come across.

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The Definitive Prince Valiant Companion Review

The Definitive Prince Valiant Companion
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The Definitive Prince Valiant Companion (DPVC) is an essential volume for the Hal Foster or Prince Valiant fan, comic strip collector, pop culture historian, or anyone who just loves great stories and art.
Prince Valiant, published continuously since 1937 as a Sunday comic strip, has long been considered one of the definitive adventure-based newspaper comic strips (rivaled, possibly, only by Alex Raymond's Flash Gordon). It's founder (writer and artist) Hal Foster, ranks with Raymond, Herriman, McCay, Segar, and a handful of other creators, as the all-time giants of the art form. Foster hand-picked his successor, John Cullen Murphy, who continued the tradition after Foster's retirement (and is probably the most under-rated and under-appreciated comic strip artists in the history of the medium). Think about this...for nearly 60 years, Prince Valiant was drawn by these two artists (with only a handful of try-out pages by Gray Morrow and Wally Wood included in the run). Recently, Mark Schultz (writer) and Gary Gianni (artist) have assumed the mantle of continuing the Valiant tradition.
Brian Kane, "THE" expert on all things Hal Foster and Prince Valiant, has put together what is truly the definitive study of this seminal comic strip. Well written and lavishly illustrated, this is a beautiful tome which nicely complements Kane's prior book, "Hal Foster: Prince Of Illustrators".
If it's Prince Valiant related, it's included in this book: story arc identification and summaries; important events and developments in Val's life; commentary on story arcs, individual strips, and more, including identification of continuity issues; artist identification and listing for each page; Foster and Murphy art reprints, many in vivid color; new PV art by current comic artists; short bios and career retrospectives of Foster and Murphy (Brian, if you're looking for your next project, I'd love to see a full-treatment biography of John Cullen Murphy, who certainly deserves it); and much more.
The short take: If you have any interest at all in Prince Valiant, Hal Foster, John Cullen Murphy, or adventure comic strips, don't let this volume pass you by.

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The ultimate book for Prince Valiant fans and collectors.Out of print for over a decade, The Prince Valiant Companion has become a Holy Grail for collectors of the series. Now, in anticipation of the seventy-fifth anniversary of comics' longest-running adventure strip, and to celebrate their own just-launched reprinting of the strip's classic earliest years, Fantagraphics is proud to present an expanded version of this hard-to-find collector's item. Compiled by award-winning Foster biographer Brian M. Kane, The Definitive Prince Valiant Companion beautifully and definitively showcases the careers of artists Hal Foster, John Cullen Murphy, and Gary Gianni. In addition to updating the original version's story synopsis section with over thirty years of material, The Definitive Prince Valiant Companion also contains rare and new articles. Included in this volume is a never before reprinted newspaper feature from 1949, Foster's final interview conducted by Arn Saba, an extensive interview with John Cullen Murphy, and a new interview with the current Prince Valiant creative team of Gary Gianni and Mark Schultz. The Companion also contains a new, in-depth article by Kane on Foster's artistic influences, as well as a foreword by comics historian Brian Walker, and an introduction by Pulitzer Prize-winning author Ray Bradbury. A special feature of The Companion is a sixteen-page color section of carefully selected strips from the entire run of the comic. Showcasing this section are eight pages by Foster, scanned and digitally restored from original color engraver's proofs that had been carefully stored and preserved for over forty years. For the first time ever, collectors will be able to see Prince Valiant as Foster intended it to be seen, with all of his fine inked line work intact. Rounding out this section are four John Cullen Murphy pages from the Murphy family's collection of proofs, and four Gary Gianni pages that were selected by the artist and digitally recolored under his supervision. Proceeds from the sale of The Definitive Prince Valiant Companion will go to The Friends of Hal Foster Society to aid in the creation of the Prince Valiant statue in Foster's birthplace of Halifax, Nova Scotia. 16color and 144 black-and-white illustrations

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The Truth about Santa Claus Review

The Truth about Santa Claus
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Be sure to read the product description closely: this is a picture book with very little text that speculates about Santa Claus based on drawings taken from various time periods. The pictures ARE very nice and the book is beautifully done in that respect, but know that it does not include much, if any, of the real history of the origin of the Santa Claus tradition.
Also, a heads-up to parents: Page 10 describes how Santa Claus "loves to smoke" and also "loves wine" and is accompanied by pictures showing this. Other parts of the book do talk about his great kindness and love for children, but I would have liked to have known about the smoking and drinking part before I ordered it.

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Another in our series on mythic figures, using old pictures to discover something of their natures. We have had a great success with this book's predecessors - The Truth About Easter Rabbits, Snow-People and Jack-o-Lanterns. We now turn to the most elusive and ancient of them all - Santa Claus. We have assembled from our library hundreds of pictures of Santa, and then deduced from this material much about him. We speculate on his home, his family, his workship, his means of transport, his enthusiasms, his encounters with children and even his activities outside of the Christmas season. We include many of our finest pictures of Santa, and believe that the result is both provocative and entertaining.

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The Very Best from Hallmark: Greeting Cards Through the Years Review

The Very Best from Hallmark: Greeting Cards Through the Years
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A gorgeous book of greeting cards that will delight fans of Americana and others interested in popular culture. The 750 color cards are arranged by year in obvious chapter headings, Teen Age, Happy Birthday, Wedlock, Bon Voyage etc. Ellen Stern writes an informative twelve page introduction to the company.
The chapter on flowers shows Hallmark's best selling card, a basket of pansies issued in 1939. I'm a fan of Christmas cards and I was pleased to see nine cards painted by Norman Rockwell. Haddon Sundblom, who painted the Coca-Cola Santa also has a showing.
Turning over the pages it soon becomes apparent that from the start Hallmark set themselves a very high standard of design, thanks to the founder Joyce Hall and if you want to follow the history of the company in cards this the book for you or you can check out the company over the decades with a lovely centenary book: Hallmark: A Century of Caring, it also includes a DVD with a ninety-eight minute Hall of Fame movie from 2005.
***FOR AN INSIDE LOOK click 'customer images' under the cover.

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World War II Posters: 24 Cards (Card Books) Review

World War II Posters: 24 Cards (Card Books)
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This book isn't bad for the price which makes it great for crafting. It's small enough to be able to tear the pictures out and scan them into your computer to manipulate them for your own use.

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Meticulous reproductions of dramatic wartime posters include Norman Rockwell's "Four Freedoms," C. C. Beall's memorable poster of marines raising the American flag on Iwo Jima, Anton Otto Fischer's dramatic depiction of a burning cargo ship, accompanied by the message: "A careless word...a needless sinking," and many more.

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Jolly Cholly's Story: Grimm's Baseball Tales Review

Jolly Cholly's Story: Grimm's Baseball Tales
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One of the most beloved and successful managers in Chicago Cubs history, it seems a shame that Charlie Grimm has never been selected for inclusion in the Baseball Hall of Fame. He was an excellent first baseman, noted for his defense, he won three pennants while leading the Cubs, which was no small accomplishment when one considers that he was employed under the Philip K. Wrigley regime, he broadcast games on radio and he was equally well regarded in Milwaukee where he served both as a minor league manager for the Brewers and the initial skipper of the transplanted Braves.
Grimm was a funny man who played the banjo and coaxed performances out of sometimes less talented players. He helmed the last Cubs pennant winner in 1945 and just missed the World Series title that year. He steered a slightly better than average team, by wartime standards, past the favored Cardinals that season. St. Louis was arguably the best team of the World War Two era, but the Cubs outdistanced them in '45. Afterwards, the bottom fell out and Grimm became immortalized in Norman Rockwell's painting "The Dugout." In real life, Grimm, who coached third base, actually dug a hole in the dirt and buried his torn up scorecard when the Cubs were getting pasted one aftenoon.
Following his death, Grimm's cremains were scattered at Wrigley Field. This is a funny book about a baseball lifer. Grimm figured prominently in Bill Veeck's autobiography, so take a look at Jolly Cholly's own story for a few additional chuckles.

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The Art Detective: Fakes, Frauds, and Finds and the Search for Lost Treasures Review

The Art Detective: Fakes, Frauds, and Finds and the Search for Lost Treasures
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I'm not an art connoisseur by any stretch, although I do have my tastes and don't mind the occasional museum stroll. I love history and I love a good story. When you combine art, history and terrific storytelling, you come out with a book like "The Art Detectives" by Philip Mould.
The book is structured around 6 specific paintings, and the mysteries that surround/surrounded them. Mould is a fantastic writer. He's clear, concise and sometimes poetic. It's an odd thing to focus on when considering a work of non-fiction, but his writing is as expressive and pronounced as anything I've read recently.
Mould avoids the pretension, condescension and patronizing tone that one might expect from a book on high art. And surprisingly, each story is a strong tale in and of itself. At their best, they are very personal, human and touching. At their worst, they're simply good mysteries that Mould unravels layer-by-layer with a blending of personal insight, relevant experiences, historical background and significance. And it all flows beautifully through his solid prose and storytelling abilities.
The strongest tale is of Moulds' meetings with an eccentric hoarder named Earle Newton. The story ranges from their first interactions, to their first and subsequent visits. Newton is more of an "ammasser" than he is a collector, and the real heart of the narrative is Newton's wackiness and the impact of his hoarding on his family.
Family is also at the heart of a story that centers on a well known art deception (and recovery) of a Norman Rockwell painting. After subtle clues circulate around Rockwell's "Break Home Ties", two brothers hunt for the truth of whether their father owned a real Rockwell, and whether or not he knew it was a fake.
Mould does an amazing job of making art history accessible and interesting. All of his stories involve the detective work required to identify what is genuine and authentic from what is a pretender. Mould is both eloquent and passionate in "Mystery of the Missing Gainsborough" and "The Rembrandt in Disguise". Tudor England is the focus of "A Queen in Distress", and colonial Caribbean in "A Winslow Homer Lost and Found" as Mould turns art and history into compelling mysteries.
I thoroughly enjoyed the book and would recommend it to readers of history, mysteries and certainly art.
Note: I received "The Art Detectives" as part of the Goodreads First Read program.

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Mad About the '90s: The Best of the Decade Review

Mad About the '90s: The Best of the Decade
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The publishers have ruined this book by making it in a small format instead of maintaining the size used for the previous books in this series. I didn't realize that they had changed the size or I probably would not have ordered the book. The content is OK but not the size.

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The Reading Woman 2011 Engagement Calendar Review

The Reading Woman 2011 Engagement Calendar
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If you are an avid reader you must purchase this calendar. I finally found an engagement calendar that is the perfect size and grids of weeks and months that suit my needs. I would recommend purchasing this calendar for yourself and will make a great gift for someone or even your book club members.

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Favorite Nursery Rhymes from Mother Goose Review

Favorite Nursery Rhymes from Mother Goose
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If you're reading this on Amazon, you probably want to know how this book compares with other large-format Mother Goose nursery rhyme books. Here's my comparison of this book with four others.
This book (Favorite Nursery Rhymes from Mother Goose by Scott Gustafson, ISBN 978-0867130973) -- 45 rhymes. Published 2007. PLUSES: Illustrations (oil paintings) are large, detailed, varied, and fanciful; think a combination of Norman Rockwell, Walt Disney, and Salvador Dali. My favorites include "Jack Be Nimble" with Jack as a grasshopper, and "Simple Simon" as a monkey and the pieman as a gorilla. Several illustrations offset the "politically incorrect" aspects of the corresponding rhymes (e.g., for "Peter, Peter, Pumpkin-Eater" a squirrel couple serves pie to a boy in front of their pumpkin house). Some illustrations depict black and Asian children. MINUSES: Because only the first 1-4 verses from each rhyme is given, "Old Mother Hubbard" is missing a lot of verses. With the smallest selection of rhymes of the books reviewed here, it may not have some that your child may like (e.g., "Three Little Kittens"). SUMMARY: 5 stars.
Mary Engelbreit's Mother Goose: One Hundred Best-Loved Verses, ISBN 0060081716 -- Published 2005. PLUSES: If you like Engelbreit's artistic style, this book is for you. A number of illustrations depict black and Asian children. Has some uncommon rhymes (e.g., "Three Little Ghostesses" and "Terrence McDiddler"). I found no violent rhymes. MINUSES: Some illustrations do not fit the rhymes well. As one example, Jack Sprat's wife appears to have some "lean" vegetables and fruits on her side of the table (though certainly a much larger quantity of food than Jack himself). As another example, "Three Little Kittens" shows the kittens in large mittens on a clothesline, while the rhyme calls on them to be losing and putting on the mittens. Some pages (22, 28, 69, 76, 90, 93, 112, 117) have two rhymes on them, which might be slightly confusing, but on the other hand it might also be fun for kids to guess the relationship between the two rhymes on a page (e.g., "Red sky at night" and "Touch blue" both deal with colors). SUMMARY: 4 stars.
My Very First Mother Goose by Iona Opie and Rosemary Wells, ISBN 1564026205 -- 68 rhymes. Published 1996. Organized into four chapters ("Jack and Jill," "Hey Diddle, Diddle," "Little Jumping Joan," and "The Moon Sees Me"), although I couldn't figure out why certain rhymes fell into certain chapters. The large majority of the illustrations feature animals acting like people. PLUSES: Interplay of text and engaging watercolor illustrations is more creative than in any other book reviewed here. For example, "There was a crooked man" has many small illustrations for the rhyme, while the text of "Pop goes the weasel" is contained within the large illustration. Font sizes vary considerably, from very large to moderately small, and the large initial letters of many rhymes are painted with something relevant to the rhyme (e.g., train tracks for "From Wibbleton to Wobbleton"). Extra information -- like tiny illustrations for cake-making under the main "Pat-a-cake" illustration, and four constellations' names for "Star light, star bright" -- add to the variety. I found no sexist or violent rhymes. Has some uncommon rhymes (e.g., "Mrs. Mason bought a basin"). MINUSES: Some illustrations may be confusing; for example, "Humpty Dumpty" is an actual (from-the-chicken) small egg that gets knocked to the ground, not a "living character" as in other books. Non-Christians may question the inclusion of two "Matthew, Mark, Luke, and John" rhymes toward the end. SUMMARY: 5 stars.
The Real Mother Goose by Blanche Fisher Wright, ISBN 0590225170 -- 305 rhymes. First published 1916. Typography and illustrations (almost all of which depict people as opposed to animals acting like people) are either "nostalgic" (if you like them) or "old-fashioned" (if you don't). It has the smallest page size (8.5"x11") of the books reviewed here. PLUSES: Probably the most well-known, "classic" collection. Includes uncommon rhymes (e.g., "Comical Folk") and longer rhymes (e.g., "This is the House that Jack Built") not in the other books. MINUSES: I compared the current (1994 Scholastic/Cartwheel Books) printing with a previous (1991 Checkerboard Press) printing, and the color in the illustrations is less saturated than before. Has some rhymes and illustrations that could be considered "politically incorrect" (violent, sexist, etc.) such as "Little Polly Flinders" (in which a mother "whipped her little daughter") and "Peter, Peter, Pumpkin-Eater" (picturing a woman stuck inside a pumpkin). Multiple rhymes on each page could be confusing to young readers. SUMMARY: 4 stars.
Richard Scarry's Best Mother Goose Ever (Giant Little Golden Book), ISBN 0307155781 -- 50 rhymes. First published 1964. PLUSES: Endearing large illustrations feature animals acting like people. The use of pigs is especially nice (e.g., a clothed pig stealing a gingerbread pig for "Tom, Tom, the piper's son" and Georgie Porgie as a boy pig "snouting" a girl pig). Has some uncommon rhymes (e.g., "The cat sat asleep by the side of the fire"). MINUSES: Has some rhymes and illustrations that could be considered sexist (e.g., "When I was a bachelor" and "I had a little hen") or violent (e.g., "Fe, Fi, Fo, Fum" and "Taffy Was a Welshman"). There is a certain monotony to the illustrations, and all of them follow their rhymes fairly literally, so I'm not sure they would hold older children's attention well. SUMMARY: 4 stars.
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The Sign Painter Review

The Sign Painter
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I just found this book and was fascinated by the fact that he does so much with so little. I spent a wonderful hour or so trying to track down the artists he is obviously referring to. Because he doesn't include them anywhere in the book, it's like a treasure hunt. The Edward Hopper references are obvious on the first and last page. There's Norman Rockwell (the older sign painter sitting and painting when we first meet him), Ansel Adams (a black and white of a mountain), Magritte (a billboard with clouds), and a nod to Georgia O'Keefe (the cattle skull). There appears to be a reference to Russell and/or Remington with the scene of the two main characters sitting at a campfire against a big sky, but I didn't get around to finding an actual painting since I was pressed for time. The whole situation of the book seems to refer to Andy Warhol and pop art/advertising, but I couldn't find a Warhol work that was specifically used. There are several illustrations that seem to have references (a bright magenta convertible with a blonde driving, a road leading into a stylized landscape, a huge structure of scaffolding, etc.) that I haven't been able to place, but I'm planning on having fun searching with my kids! My husband had fun seeing if he could place them also (not to mention the librarian who was helping me! One of the reasons I'm writing this review is so if others are looking for what the references are they can find a more complete list than I was able to find -- I hope others add their observations!).
The story itself is, like many other Allen Say books, somewhat autobiographical and dreamlike. Not your typical children's book at all. If you're looking for a neat way to give a wide age range of kids an introduction to 20th c. art (mostly American), this is great. They can comb through collections and say, "Hey! Look what I found! This is just like that picture when the boy..." Younger kids can just enjoy the story about a young painter who has to paint things he's not particularly interested in to make a living while he hopes to one day be able to paint what really moves him.
I'm considering using it for a homeschooled kids lit gathering we're a part of, having the older kids go out and hunt down the references (hopefully they'll find some of the ones I didn't!), and letting kids who want to draw their own version of a picture that pays homage to an artist whose work they themselves enjoy.
Wonderful story on many levels. Five stars.

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Walking to School Review

Walking to School
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This is what all picture books should be. A perfect blend of words and pictures makes this story come alive! Eve Bunting's lilting words and Michael Dooling's breathtaking pictures are like being there!
I am currently preparing to use this for presentations with 5th and 6th graders, middle schoolers,parents and teachers.
I am a storyreader or, as Eve Bunting would say, a Shanachie. I tour schools around the country and I can't wait to use this one!!
Jim McKenna,[...]


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Let's See: Writings on Art from The New Yorker Review

Let's See: Writings on Art from The New Yorker
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Peter Schjeldahl was just awarded the 2008 Clark Prize for Excellence in Arts Writing, which recognizes one writer each year who promotes the public appreciation of the visual arts in a way that "is grounded in scholarship yet appeals to a wide audience."
'Let's See,' Schjeldahl's new collection of his essays from the New Yorker, shows why he won this prestigious award and also shows how far he has come as an art critic.
Years ago, when I used to live in Manhattan (in a studio big enough for me, my cat, and a hot-plate), I used to read Schjeldahl, who then wrote for the Village Voice, which even at that time was a pretty second-rate rag. I never really liked Schjeldahl's writing back then. He was really snarky, a kind of a hipster-poser smartypants type. But in reading 'Let's See,' or his New Yorker essays in general, you'll notice immediately that he has matured both in his attitude towards his job and in his writing style, which is consistently straightforward, to the point, and memorable. (Schjeldahl is also an award-winning poet, and his love of language shows in his criticism as well.)
I can't say that I always agree with Schjeldahl's taste in art. John Currin seems to be one of his favorites (the cover image is a Currin painting) and despite Schjeldahl's frequent praise, I just can't see why this guy is good, much less great. But you don't need to agree with all of Schjeldahl's opinions to see that they are carefully reasoned and based on a deep love and understanding of art built up over a lifetime.
Of course, some of the artists that Schjeldahl praises here are basically no-brainers: Velazquez, Vermeer, El Greco. Who doesn't like those painters? But Scheldahl brings a level of depth and insight to his discussion of their works that makes you see them in new and interesting ways.
I also really like the fact that Schjeldahl, the former hipster-dude, had the courage to put in a good word (actually a really strong defense) of Norman Rockwell, an artist he probably would have dissed big time back in the Village Voice days.
This is a really good book for people interested in art in all of its complexity. Schjeldahl makes you use all of your brain cells, but if you can follow his arguments, they're very rewarding. I enjoyed this book a lot.

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Seventy-five of Peter Schjeldahl's engaging pieces on art from The New Yorker, published together for the first time.
Distinguished critic at The New Yorker since 1998, Peter Schjeldahl has been described as America's most influential writer on art. Blessed with an unerring eye, he tackles a myriad of subjects with wit, poetry, and perspicacity, examining and questioning the art before him while reveling in the power and beauty of language. His writing springs from a desire to be understood by all readers, and a determination to help them engage with art of every kind.Covering subjects drawn from a broad canvas of the history of art-from ancient Greece, Mexico, and Byzantium, through Raphael, Rubens, and Rembrandt, to Bruce Nauman, Jean-Michel Basquiat, and John Currin-the writings collected here seek out with precision and economy the essence of the individual artist or work under discussion, but they never lose sight of the bigger picture: What is beauty? What does it mean to be an American artist? What can the art we produce and admire tell us about ourselves?With an imaginative introduction-twenty questions, each one posed to Schjeldahl by a different artist or writer-this collection will appeal to anyone who considers the experience of art, and of writing on art, an invitation to a voyage.Coverage includes:' large-scale exhibitions at leading institutions around the world' shows at private galleries' profiles of prominent members of the art world' personal accounts of time spent with artists' the influences of museum spaces on our experience of art

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The Dirty Cowboy Review

The Dirty Cowboy
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The Dirty cowboy is a family story that has been handed down to the author, Amy Timberlake. I found it to be well written and loaded with humor. It's evident that this story was written with love and respect for great story telling. It's hard to believe this is Ms. Timberlake's first published work.
The illustrator, Adam Rex has captured Ms. Timberlake's story with accuracy and humor. His illustrations remind me of the early artwork of Norman Rockwell.
This book is not only for the young but the young at heart. Even at the age of 39, this book is a must have on my book shelf!

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SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1 (Aviation Elite Units) Review

SPA124 Lafayette Escadrille: American Volunteer Airmen in World War 1 (Aviation Elite Units)
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Arguably the best-known American squadron to see combat in WWI, the Lafayette Escadrille -N124/SPA124 - has had its exploits chronicled in various books over the years. Jon Guttman and Osprey Publishing offer up this 2004 volume which boasts a comprehensive yet insightful text along with much illustrative material. As a starter book on those intrepid airmen, it has a lot going for it.
N124, a combination of idealistic or adventure-seeking American volunteers led by French commanders, first saw combat in May 1916. In all, 38 pilots served with N124; nine were KIA or POW. The squadron was credited with 37 victories; their sole ace - Raoul Lufbery - claimed 16 of that total. In January 1918 now-SPA124 underwent a reorganization. The American pilots became the 103rd Aero Squadron, U.S. Air Service; SPA124 continued as a French squadron. Given its low score, N124's contribution to the war wasn't the kills they scored but the example they provided for other idealistic Americans anxious to fight for democracy. In time, some 265 other Americans journeyed to France and joined the Lafayette Flying Corps or other Allied squadrons.
I felt Guttman did an excellent job of summarizing the creation of the Lafayette Escadrille, the personalities that made up N124 and their combat exploits along with details of the 103rd in action, etc. In particular I enjoyed reading of the internal life of N124; they weren't all saints nor were they all a 'Band of Brothers.'
Complimenting the text are over 120 photos, some new to this reviewer. As always, Harry Dempsey's color profiles were outstanding - 14 pages of gorgeous Nieuports, Spads and even a Morane Saulnier two-seater.
The best book on the Lafyette Escadrille is probably Dennis Gordon's LAFAYETTE ESCADRILLE PILOT BIOGRAPHIES, long out of print. Given its emphasis on the original squadron and follow-up units, its wealth of illustrative material and easy-on-the-pocketbook price however, Guttman's book, #17 in Osprey's 'Aviation Elite Units' series, is hard to beat. Recommended.

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This book tells the story of one of World War I's most famous squadrons, Spa. 124 - the only French squadron made up entirely of American volunteers (save for the commander and executive officer.)Organised in April 1916, the group was successively dubbed the Escadrille Americaine, Escadrille des Volontaires and finally the Escadrille Lafayette. Its achievements were modest, but it included several colourful characters who captured the public imagination and played a major role in gaining American sympathy for the Allied cause. When the United States finally entered the war, many Lafayette veterans helped prepare US Army Air Service and Navy pilots for combat, although a few chose to stay on with the French.

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Home Run: The Story of Babe Ruth Review

Home Run: The Story of Babe Ruth
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This books opens with the Great Bambino as a child. Remindingyou of your own innocent childhood. It then leaps to his professinalcareer where it slows down to one at bat. (the moment) It is written with a grace for detail that makes you feel like part of the story. You hear the crack of the bat, feel the dirt under your spikes, the "soft hardness of the base", and hear the defening sound of the crowd. This book brings tears to my eyes everytime I read it to my daughter and my son. Maybe one day they will read it to their children and know why. END

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