Rosie the Riveter: Women Working on the Home Front in World War II Review

Rosie the Riveter: Women Working on the Home Front in World War II
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Colman combines masterful storytelling with criticalcutting-edge insight to create an imposing study of a crucial periodin U.S. history. Rosie the Riveter reveals the ways in which government and industry manipulated gender roles to serve their own interests both before and after the war. Colman's Rosie the Riveter is history at its best- engaging narrative, illuminating details, and fabulous photographs (including a picture of Marilyn Monroe as a war worker).

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Don't Know Much About Anything Else: Even More Things You Need to Know but Never Learned About People, Places, Events, and More Review

Don't Know Much About Anything Else: Even More Things You Need to Know but Never Learned About People, Places, Events, and More
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Having read all of Mr. Davis' other (adult) books including Don't Know Much About Anything, I was a bit disappointed in this one. It seems like he put together some of the leftovers from the latter mentioned book just to publish something, and it didn't contain nearly as much interesting trivia as its forerunner. While it still included some interesting tidbits and was an incredibly quick read, I would recommend any of his other books before this one.

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For years, Kenneth C. Davis has enlightened and enthralled us, opening our minds and tickling our fancies with his wonderfully irreverent, fun, and factual Don't Know Much About® books. He has carried readers on wild and edifying rides through history, mythology, geography, the Bible, the Civil War, even across the universe. Now, following on the heels of his triumphant New York Times bestseller Don't Know Much About® Anything, comes Don't Know Much About® Anything Else, his latest one-stop potpourri of intriguing information. Chock-full of delightful historical snippets and fascinating people, remarkable milestones and boneheaded blunders, and eye-opening, brain-boggling facts about simply anything and everything in the world, here is the ideal companion for those long car rides, plane flights, quality family hours, or relaxing downtime.


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Thomas Kinkade: The Artist in the Mall Review

Thomas Kinkade: The Artist in the Mall
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In my opinion, Mr. Kinkade falls squarely into the "wall decor" camp. For some reason, most people can't abide unadorned interior spaces. Consequently, there are millions of painters generating mountains of images designed to match the drapes and sofas for those people who feel an empty wall is somehow cheap and tacky. As long as one of these painters meets or exceeds the minimum set of 'artistic' requirements as perceived by their audience, then whatever success and popularity they enjoy is a result of marketing. Kinkade's biggest business strategy by far has been exploiting Christians --niche marketing at it's finest.
The irony is that Kinkade's work created during the 1980's was much more subtle, more skilled and less garish than what followed once the publicly traded marketing machine went into overdrive. His early plein air paintings are no better or worse than what one might see in a lot of museums. But like most painters, Kinkade reached the proverbial "fork in the road" ..and he chose to sell his soul for fame among fools and a fast buck. And each new painting thereafter shows the effect of his chasing an audience instead of letting them find him. Each new work seemed created to pander to whatever sub-niche he had yet to exploit.
Kinkade's popularity peaked some time ago and seems to be steadily contracting. He hasn't been an on-air vendor with the QVC shopping channel for years and only has a few token pieces on their website. During the years 1997 through 2005, court documents reportedly show "at least 350 independently owned Kincade franchises at peak. By May, 2005, that number had more than halved." Sites like eBay greatly undermined the much touted "investment" potential of his reproductions by demonstrating where the market for them really is. To be sure, only a tiny fraction of his collectors are likely to buy and read this or any other book on art or criticism.
Kinkade will never likely be considered among the company of great artists even though he could probably buy and sell many of them.


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Babysitter: An American History Review

Babysitter: An American History
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From the beginnings of babysitting to the fall of babysitting, Miriam Forman-Brunell has produced a sweeping history of the practice not chronicled elsewhere. Babysitter: An American History gives us a welcome look at the subculture of babysitting in the United States. When you peruse the extensive notes and bibliography, it's not surprising that the book has taken nearly two decades to complete (Forman-Brunell began her project in the early 1990's). While the book covers the 20th century, with emphasis on the 1950s through the 1980s, we are reminded of previous generations (including Puritans, enslaved African Americans, and urban working-class children) charged with babysitting as their duty without the benefit of payment.
Readers will find the book full of curious bits of observations and facts about American popular culture as it relates to babysitting. For instance, poet, Sylvia Plath, at age fourteen, wrote about her first experience babysitting in a paper for an English class. The two boys demanded she read aloud story after story, jumped on top of her, playing "kill the bear," and the popcorn she was making caught fire. Plath concluded that "little children are bothersome beings...all in all, a nuisance."
The narrative moves from the 1920s through the 1940s as girls begin to challenge older generations with their new conduct and confidence. As the United States marched off to war, births fell, then rose; and mothers took on jobs, then gave them up to be homemakers and move to the suburbs.
The second half of the 20th century brought significant changes as society experienced more war, the sexual revolution, increasing divorce rates and mothers going back to work once again. The impact of movies, television, music, books, magazines, soft porn, and urban myths altered perceptions of babysitters. For teenagers themselves, babysitting became unattractive when social and school activities increased giving them less time for jobs. Those who wished to work could earn more money elsewhere. For a time, mothers turned to middle school-age children, many as young as ten, to fill the gap. But by the end of the century, as Forman-Brunell relates, "girls with greater self-esteem, growing individualism, higher aspirations, more extracurricular activities, and new job options abandoned the field of babysitting that had been the leading form of female adolescent employment for generations."
As a babysitter myself I was struck by what I remembered and what I never knew. Many women (and men) of several generations will find Babysitter a worthwhile read. There is much to absorb, recall in our own lives, laugh at, and react to with horror.
by Diana Nolan
for Story Circle Book Reviews
reviewing books by, for, and about women

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On Friday nights many parents want to have a little fun together—without the kids. But "getting a sitter"—especially a dependable one—rarely seems trouble-free. Will the kids be safe with "that girl"? It's a question that discomfited parents have been asking ever since the emergence of the modern American teenage girl nearly a century ago. In Babysitter, Miriam Forman-Brunell brings critical attention to the ubiquitous, yet long-overlooked babysitter in the popular imagination and American history.

Informed by her research on the history of teenage girls' culture, Forman-Brunell analyzes the babysitter, who has embodied adults' fundamental apprehensions about girls' pursuit of autonomy and empowerment. In fact, the grievances go both ways, as girls have been distressed by unsatisfactory working conditions. In her quest to gain a fuller picture of this largely unexamined cultural phenomenon, Forman-Brunell analyzes a wealth of diverse sources, such as The Baby-sitter's Club book series, horror movies like The Hand That Rocks the Cradle, urban legends, magazines, newspapers, television shows, pornography, and more.

Forman-Brunell shows that beyond the mundane, understandable apprehensions stirred by hiring a caretaker to "mind the children" in one's own home, babysitters became lightning rods for society's larger fears about gender and generational change. In the end, experts' efforts to tame teenage girls with training courses, handbooks, and other texts failed to prevent generations from turning their backs on babysitting.


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Art of the State: New York Review

Art of the State: New York
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I recently moved to New York, and this book was recommended to me by a friend who is on the curatorial staff at a NYC museum. I assumed that it would be for art-experts only. But, in fact, I've brought it with me each time I've driven throughout this state, and have found the book to be very enjoyable and filled with interesting stories. A real gem!

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From the lights of Times Square to the raging torrent of Niagara Falls, the Empire State has it all. This "Art of the State" title explores the Big Apple, the unspoiled Adirondacks, the state's shimmering lakes, and the majestic Hudson. 170 illustrations, 120 in color.

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The Psychology of Art and the Evolution of the Conscious Brain (Mit Press/Bradford Books Series in Cognitive Psychology) Review

The Psychology of Art and the Evolution of the Conscious Brain (Mit Press/Bradford Books Series in Cognitive Psychology)
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This author has a good knowledge of his subject. His earlier book is wonderful with insight. This book is a revamp of that material with a summary of some recent research. For my needs the first book is more to my taste.

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How did the human brain evolve so that consciousness of art coulddevelop? In The Psychology of Art and the Evolution of the Conscious Brain, RobertSolso describes how a consciousness that evolved for other purposes perceives andcreates art.Drawing on his earlier book Cognition and the Visual Arts and ten yearsof new findings in cognitive research (as well as new ideas in anthropology and arthistory), Solso shows that consciousness developed gradually, with distinctcomponents that evolved over time. One of these components is an adaptiveconsciousness that includes the ability to imagine objects that are not present--anability that allows us to create (and perceive) visual art.Solso describes theneurological, perceptual, and cognitive sequence that occurs when we view art, andthe often inexpressible effect that a work of art has on us. He shows that there aretwo aspects to viewing art: nativistic perception--the synchronicity of eye andbrain that transforms electromagnetic energy into neuro-chemical codes--which is"hard-wired" into the sensory-cognitive system; and directed perception, whichincorporates personal history and knowledge--the entire set of our expectations andpast experiences. Both forms of perception are part of the appreciation of art, andboth are products of the evolution of the conscious brain over hundreds of thousandsof years.Solso also investigates the related issues of neurological and artisticperception of the human face, the effects of visual illusions, and the use ofperspective. The many works of art used as examples are drawn from a wide range ofartistic traditions, from ancient Egypt to Africa and India and the EuropeanRenaissance.

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The Best Art You've Never Seen: 101 Hidden Treasures From Around the World (Rough Guide Reference Series) Review

The Best Art You've Never Seen: 101 Hidden Treasures From Around the World (Rough Guide Reference Series)
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There are thousands of art books...but let's face it...most have gorgeous illustrations but boring descriptions. This is a book apart. The author - Julian Spalding - has been a curator for many important art museums in Great Britain...so he knows how to pick the winners. He obtains his special vision from intimately handling art pieces...from packing them...choosing them...and searching for ways to introduce these imaginative products of world culture. The author is well known for his lovely introduction to world art for novices titled "The Art of Wonder".
I describe this new book as his "personal choice" of art masterpieces most would ordinarily overlook in a world tour of museums. In other words, Mr. Spalding is telling us, don't go to the National Gallery in Washington D.C. just to see Leonardo Da Vinci's art...take a minute and consider the brilliant Native American portrait of "Shon-ka-ka-he-ga" (head chief of the Pawnees) made by George Catlin in 1832. That's in the Smithsonian American Art Museum. Another exceptional work of art he brought to my attention was a Marienalter in a church in Creglingen, Germany. Because of the Reformation, this exceptional altar was kept in storage for hundreds of years because it celebrated "Mary" Queen of Heaven in a way inconsistent with the Lutheran Church. When it was originally returned to its proper place, it was in beautiful condition. It is carved in amazingly intricate, filagree limewood - 30 feet tall. Mary, Mother of God is carved in different stages of her biblical history. The whole altarpiece is conceived as a tree, perhaps the Tree of Knowledge. I now think of this glorious act of creation as my favorite altarpiece of the Middle Ages/Renaissance next to (of course) "The Adoration of the Mystic Lamb" of Van Eyck.
I thought his writing style was captivating. An example: In introducing "Night Sky Dreaming" (an Australian acrylic on canvas that represents native religious expression) he gives us the story of the young curator from Glasgow Museum who brought it back to the institution. She is a vegetarian...yet she went to Australia and had to live with the bushmen long enough to be adopted as a daughter by one of the men of the tribe. She had to cook for him - kangaroo and beetles. Only later, when she returned empty handed, did she receive a FAX that she was invited back to an Aborigine celebration as a daughter; only then could she take back to the Museum one of the dream paintings created through that religious ceremony. My word..what a story!
There are precious few books like this...lovely photographs of transcendent works... matched by engaging writing....the type of book that takes us "outside the box." Somewhat similar is Thomas Hoving's "Greatest Works of Art of Western Civilization" Although Mr. Hoving (once a curator of one of the finest museums of the world) includes well-known masterpieces as Van Gogh's "Starry Night" or Bosch's "Garden of Delights", he also introduces "The Bohemian Madonna", "Montezuma's Headdress", The Pieta of Avignon."
In summary, "The Best Art You've Never Seen" is a beautiful treasure in itself. Highly recommended.

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Across the globe there are scores of beautiful and unusual works of art that are largely unseen or fail to receive the critical acclaim they deserve. "The Best Art You've Never Seen" is your essential companion to this hidden world of artistic treasures. Travelling from Peru to Papua New Guinea, "The Best Art You've Never Seen" restores to view 101 wonderful treasures - uncovering neglected artistic wonders from off-beat corners of the world to store rooms in the world's great museums. Written by art expert and former museum director Julian Spalding, "The Best Art You've Never Seen" takes you into a world of beautiful and arresting artefacts and reveals their amazing stories. It unveils a surprising and unfamiliar alternative canon of works to offer a fresh and controversial take on the world of art.

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Graphic Design Time Line: A Century of Design Milestones Review

Graphic Design Time Line: A Century of Design Milestones
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Heller is, as we all know by now, the preeminent graphic design writer of our times. This work displays the history of graphic design in simple, bulleted lists arranged by category in a chronoligcal arrangement that is as elegant as it is simple: each year gets its own spread (though earlier , sparses, years are two-to-a-spread), with reproductions of work from the year and stats on important developments in design, illustration, photo, and more, as well as the people who are responsible for such work.
Not a book to be read all at once, but to be enjoyed sporadically, leafed through, glanced through before bed... a must-have for the design history enthusiast.

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This matchless volume is the first to record the milestones of graphic design, from its beginnings as a viable art and craft to its most sophisticated, present-day accomplishments. Two-page spreads are devoted to each year of the century, from 1900 to 2000. Complete with numerous illustrations, this is an ideal desk reference, providing answers to endless historical questions such as when a style or technology was invented, when a designer was born or died, when an influential work was created, when a movement began, and when a school was founded.

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28 BARBARY LANE Review

28 BARBARY LANE
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This series was recommended to me by a friend during my freshman year of high school. I began reading the books when I was 14 and found that I loved the story lines and found myself getting wound up in the fantastic lives of the characters. The short chapters made it SO easy to lay in bed at night and promise myself "just one more chapter"...but then i'd flip ahead and find that the next chapter was only three pages and i simply COULDN'T end there! this pattern would usually go on until about three o'clock or until i finished the book, whichever came first! Because i was so young when i read the first two books in the series, I think a lot of the meaning was lost to me. During my second year of college i re-read the first two books and found myself falling madly in love with the adventures of the characters in the book. I found mysel weeping on the train...gasping on the plane...and laughing out loud like a lunatic at a cafe. I read the entire series in less than a month and to this day, elements of the stories stay with me.
This book is a MUST read for any lovers of fun, entertaining and poignant stories.

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Apprenticeship with Jesus: Learning to Live Like the Master Review

Apprenticeship with Jesus: Learning to Live Like the Master
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The question asked in the title of this review is one I have been asking for many years. It is central to my life. This book does an excellent job of answering this question in a accessible and practical way.

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Ask a crowd of Christians whether they believe in Jesus as Lord and Savior, and all hands will go up. Ask the same crowd whether they live like Jesus, and most of those same hands will come down. Why is this? Why is it so hard to bridge the gap between belief and real life?Respected author, professor, and psychologist Gary W. Moon thinks it has to do with our hyper-intellectual but non-experiential method of living the Christian life. In this winsome book Moon provides a thirty-day apprenticeship with Jesus, whereby readers will actively practice being with Jesus day in and day out. Each day's reading uses compelling stories and scripture to illustrate a point and closes with a suggested apprenticeship activity.

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Mad Art : A Visual Celebration of the Art of Mad Magazine and the Idiots Who Create It Review

Mad Art : A Visual Celebration of the Art of Mad Magazine and the Idiots Who Create It
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The title of "MAD Art" is a nice, simple title, achieving a sense of balance by consisting of a pair of three letter words, but it is a bit off target. Even when you through in the subtitle--"A Visual Celebration of the Art of 'MAD' Magazine and the Idiots Who Create It"--we are still off the beam a bit, because what Mark Evanier has compiled here is a tribute to the specific artists who made "MAD" magazine the cultural icon it has been ever since I was a kid (and a little bit earlier than that as well). Evanier, a former assistant to the legendary Jack Kirby has written comic books (including "Groo the Wanderer" with "MAD" artist Sergio Aragones) as well as becoming a historian on the subject of cartooning, so there is a sense of scholarship to this effort. Those who comes to this rather thick trade paperback with expectations of reading some choice movie parodies and other familiar "MAD" pieces are going to be disappointed, because this is not that type of "MAD" collection.
Evanier uses a double chronology for "MAD Art," with the chapters detailing the general process by which artists join the "MAD" gang of idiots and end up producing their mini-comic masterpieces in discrete stages, while each chapter provides profiles of over five dozen artists with examples of their work, from the infamous advertising parodies, and classic front (and black) covers to the interior art, including dozens of rare and previously unseen preliminary sketches and photographs. That means the first chapter, representing the fabled time when "MAD" was a E.C. comic book, looks at the legendary artist Harvey Kurtzman, Jack Davis, Will Elder, John Severin, and Wallace Wood. There is certainly something to be said for any list of artists that end up with Wally Wood being on the bottom. Kurtzman gets special credit for being the writer-editor and occasional artist for the all 23 of the comic book issues and the first five of "MAD" as a magazine, while Davis is the premier caricature artist of our time.
With each chapter revealing another wave of fan favorites, you get a sense for how the "MAD" stable of artists was created. The second stage sees Dave Berg, Bob Clarke, Mort Drucker, Frank Kelly Freas, Don Martin, and Norman Mingo being added to the ranks, while chapter three looks at Sergio Aragones, Paul Coker Jr., Harry North, Antonio Prohias, Jack Rickard, and Angelo Torres. These are the artists that defined "MAD" when I was a mere lad, and even if you do not recognize the name, you will recognize the artwork (I actually made it almost all the way to 2004 before I realized that Antonio Prohias did all the Spy vs. Spy bits when I was a kid).
However, after that point we are up to the next generation of "MAD" artists, which means those who have been working on the magazine since I moved on up to "The National Lampoon" and then abandoned written satire for weekly doses of "Saturday Night Live." So Tom Bunk, John Caldwell, Don "Duck" Edwing, Sam Viviano, Drew Friedman, and Roberto Parada were all news to me. But, to be fair, how many people have actually been reading "MAD" magazine for a half-century? If the younger generation gets introduced to Harvey Kurtzman, then that justifies this entire 304-page book with its black-and-white illustrations and two 16-page color sections. As for me, my favorite of the "new" artists is Richard Williams, with his updating of Norman Rockwell for the 90's (The cast of the first "Survivor" doing the Thanksgiving dinner "Freedom From Want" bit).
For those who are interested in finding out about the favorite pieces, stylistic influence, and references the veteran "MAD" contributors used to create their art, "MAD Art" is going to be a treat. If it tries the patience, not to mention the memory, of those who have no clue who "Flesh Garden" and the "Lone Stranger" are parodies of, then that is their problem. It is about time somebody took the artists of "MAD" magazine seriously.

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The Children's Literature Lover's Book of Lists Review

The Children's Literature Lover's Book of Lists
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This thick volume would make a perfect companion (or predecessor) to the Literature Lover's Book Of Lists : Serious Trivia for the Bibliophile in the same series (see my review). Though probably intended for teachers and librarians, it will be found equally useful by homeschoolers and other parent/guardian figures searching for enlightenment regarding the "best" books in the vast field of kidlit old and new. Divided into three broad groups (pre-K through Gr. 1, Grs. 2-3, and Grs. 4-6), it breaks its lists down into sensible categories like "classics," author and publisher series, sf and fantasy, books "to teach math/science/social studies," and so forth, then divides many of these lists in turn into brief sublists (2:13, "Multicultural Books," for instance, includes titles for "Across Cultures," "African-American," "Alternative Lifestyles," "Amish," "Appalachian," "Asian," "Hispanic," "Jewish," "Native American," and "Quaker"). Though annotations are given only for the series books, with a brief description of the series focus, the lists alone (which you can easily scan and print off to take to the library or bookstore with you) are a treasure trove for the parent bewildered by the huge variety of books available. Fiction and nonfiction are included, and many great perennials (like "Lassie Come-Home," "Black Beauty," "Tom Sawyer," "Peter Pan," etc.) have found their way into the book along with newer emergents. An index would have been useful, but even without one, this is a volume no parent should fail to consult.

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This unique book is written for teachers, parents, librarians and anyone who is seeking quality literature for children (preschoolers through grade 6). The book is filled with wide-ranging lists of titles organized by grade level, theme, and content areas. This comprehensive resource simplifies your search by selecting the most useful information from websites, teacher resources, award listings, and publications that are available on children's literature. For quick access and easy use, the lists are printed in full-page format and organized into five sections.


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Silent Auction (Josie Prescott Antiques Mysteries) Review

Silent Auction (Josie Prescott Antiques Mysteries)
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With the crisp, cool air of an autumn breeze blowing, Josie Prescott is ready to start her day as an antiques appraiser in the charming coastal town of Rocky Point, New Hampshire. Known as the authority of priceless objects, she is summoned to a lighthouse estate for an appraisal. Realizing her pristine reputation cannot rest solely on her good business sense, she is prepared to get to work to uncover the past and put a value on its future.
Upon arriving, she stumbles upon a ghastly scene involving the bludgeoned body of her dear friend Zoƫ's nephew, Frankie. Within a blink of an eye, the police arrive and the investigation is quickly underway. Reeling from the fact that she has just witnessed the gruesome aftermath of a killing, Josie does her best to step aside as the town's officials take over. What started out as just an ordinary job for Josie has now become a personal vendetta to help find Frankie's killer.
Before long, Josie makes a connection between the lighthouse's valuable works of art and the mysterious murder. After careful inspection, it is discovered that a rare scrimshaw tooth is missing. As Josie tries to put the pieces together, it becomes quite obvious that her business colleagues may be hiding something. With her ever faithful sidekick Wes, the conscientious newspaper reporter, Josie dons her super sleuth hat in order to put this most unsettling case to rest.
SILENT AUCTION is the fifth installment of Cleland's highly praised Josie Prescott Antiques Mystery Series. Her latest adventure is entertaining yet educational, as she explores the intricate workings of scrimshaw. As we have come to expect, Cleland's superb knowledge of the antiques business coupled with her wit and charm make this newly released mystery a prized contender.


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The Visual Dictionary of Illustration Review

The Visual Dictionary of Illustration
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Essentially this is an A-Z of illustration terms with a twist. The illustrated element of the dictionary is a real bonus. The format is excellent, with each inclusion linked to other relevant terms in the dictionary. The illustrations are relevant and the content concise and accurate. It is incredible how much is fitted into such a compact size. The size means it's great for carrying around, and it is a great price too. It hardly seems surprising to use illustrations in a dictionary of illustration, but it is impressive just how slick this dictionary is.

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"The Visual Dictionary of Illustration" is a comprehensive guide to the numerous terms associated with, and used within, the field of illustration. The book has been designed for art students, as well as aspiring and professional illustrators and all those interested in this constantly evolving discipline. Over 250 terms are explained in detail, providing the reader with compact definitions, supplemented by compelling and exciting illustrations that offer a clear guide to the many and various illustrative styles and techniques in use today. "The Visual Dictionary of Illustration" is an invaluable reference tool that improves the reader's understanding of the professional terms applied in the field of contemporary illustration and associated creative disciplines.

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The Little Big Book Of America (Little Big Books (Welcome Enterprises)) Review

The Little Big Book Of America (Little Big Books (Welcome Enterprises))
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This square-shaped gift book is anything but square when it comes to its political content. In a section on "Villains," the author lists Richard Nixon side-by-side with Jeffrey Dahmer, Lee Harvey Oswald, and William Manson. Our nation's noble attempt to defend South Vietnam is denounced and no mention is made of the Communist genocide in Cambodia or of the Communist's bloody rule in South Vietnam. You won't find any quotes in the book from any Republican after Lincoln. Cocaine dealer Abbie Hoffman is quoted approvingly beside Jefferson, Edison, Lincoln, and Stephen Hawking who I believe is British, not American. And based on the quotes from American Indians, such as Powhatan, you'd think that they were all as innocent as lambs, which is odd considering that he himself kept slaves.

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This celebration of America recalls the highlights that define this country, and offers insight into what it means to be an American. Charming, accessible, and comprehensive, this jam-packed anthology takes you on a guided tour through the history of our great nation. Its elements include: 18 short stories and literary excerpts from the fictional works of Harper Lee, Ernest Hemingway, Herman Melville, Truman Capote, John Steinbeck, Alice Walker, J.D. Salinger, William Faulkner, Toni Morrison, and Louisa May Alcott, among others. 14 poems by such poets as Walt Whitman, e.e. cummings, Edna St. Vincent Millay, Robert Frost, Maya Angelou, and Emily Dickinson. 20 essays and speeches by great American political leaders and commentators, including Susan B. Anthony, Martin Luther King, Jr., Patrick Henry, Abraham Lincoln, and E.B. White. 18 letters that capture American history in the making by John and Abigail Adams, John F. Kennedy, Theodore Roosevelt, Amelia Earhart, Ansel Adams, and Grouch Marx, as well as other lesser-known Americans. 20 classic American songs, including: "America the Beautiful," "The Star Spangled Banner," "This Land Is Your Land," "Go Tell it on the Mountain," "O, Susanna!", and "Casey at the Bat." 15 classic recipes including: Apple Pie, Fried Chicken, Strawberry Ice Cream, Thanksgiving Turkey, Corn Bread, Black-eyed Peas, Hamburgers, and Buttermilk Pancakes. 15 "Facts" highligh fascinating trivia on every state, and cover topics such as Presidents, State Capitols, World War II, Science and Invention, Artists, Outlaws, The West, The Civil War, American Towns, and other American claims to fame. This book is destined to become the one every American will want to turn to in order to remember - or learn for the first time - what constitutes a true American classic.

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Lessons from the Intersexed Review

Lessons from the Intersexed
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This an excellent book on the "gender theory". It is also a starting point for new gender activism. Kessler tells us the intersexed "real lives stories" of pain and suffering. She deconstructs the medical retoric as to how doctors "enforce gender" while inflicting both physical and psychic harm on their intersexed patiennts. She compares the gential reconstruction imposed on the intersexed with that begrundingly provided to (m-to-f) transsexual women and suggested to women with genital cancer. Kessler shows a how we might change gender for the benifit of all. She says: "Institutionalized mutilations occur because the gentials too are taken too seriously...If we want people to respect particular bodies, they need to be taught to lose respect for ideal ones." She suggest that genital piercing, people creating "custom" gentials or men growing breast for their own self pleasure are initial steps to breaking down the connetion between body and gender. From that the two gender system will break down.
Her book has a large number of foot notes and cross references to other works. She is well read and very current. The text is some 131 pages. The footnotes are another 30 pages. The glossary is 4 pages. The bibliography is 10 page. And the index is another 12. This a very well researched book with innovative ideas.
Her closing words are: "We must use what ever means to we have to give up on gender. The problems of intersexuality [and gayness, transsexuals, transvities, ect] will vanish and we will, compensate intersexuals for all the lessons they have provided."

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"This is a brave book. Kessler says things that need to be said, and she says them clearly, concisely, and with respect for the people whose lives are most affected by the questions she confronts. A must read for anyone concerned with intersex issues." --Holly Devor, author of Gender Blending: Confronting the Limits of Duality and FTM: Female-to-Male Transsexuals in Society."While the physician's response to an infant with ambiguous genitalia has been to produce categories like the 'successful vagina' and the 'good enough penis,' Kessler takes her cues from intersexuals themselves. This book is a brilliant and long overdue call for the reevaluation of gender variability." --Judith Halberstam, author of Female Masculinity"Fascinating in what it tells us not only about situation in which sex assignment is uncertain but about the astonishingly weak empirical foundations on which the medical orthodoxies of binary sex and gender are built. A must for anyone interested in the ways widely accepted social beliefs and scientific explanations generate and reinforce each other." --Ruth Hubbard, author of The Politics of Women's Biology and Exploding the Gene MythFrom the moment intersexuality--the condition of having physical markers (genitals, gonads, or chromosomes) that are neither clearly female nor male--is suspected and diagnosed, social institutions are mobilized in order to maintain the two seemingly objective sexual categories. Infants' bodies are altered, and the "ambiguous" is made "normal." As Kessler argues, the way the medical and psychological professions manage intersexuality is guided by our culture's beliefs about gender and genitals rather than by the needs of the child.Interviews with pediatric surgeons and endocrinologists as well as parents of intersexed children and adults who were treated for this condition in childhood lead Kessler to propose several new approaches for physicians in dealing with parents and children. Beyond the medical sphere, the author also evaluates a political vanguard intent on gaining acceptance by physicians and society at large of an intersexed identity.Lessons from the Intersexed explores the possibilities and implications of suspending a commitment to two "natural" genders. It addresses gender destabilization issues arising from intersexuality and compels a rethinking of the meaning of gender, genitals, and sexuality.Suzanne J. Kessler is professor of psychology at Purchase College, State University of New York. She is coauthor of Gender: An Ethnomethodological Approach.

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Lizzie Borden in Love: Poems in Women's Voices (Crab Orchard) Review

Lizzie Borden in Love: Poems in Women's Voices (Crab Orchard)
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First, let me say that I discovered Julianna Baggott in Third Coast - a journal out of Michigan. I fell in love. I went on a search to learn more about my "new" favorite poet and discovered the lizzie borden book and immediately ordered it. I devoured it upon arrival and called my three best friends, (also poets) and suggested that they buy it, too. I read a couple of pieces over the phone to my poet friends and they orderd the book, too. The work is simply alive, though the majority of the women the poems are about are not. Norman Rockwell's wife, Helen Keller, Monica Lewinsky and of course Lizzie Borden are present among others. The poems are biographical fiction - Baggott paints tender, raw, angry, forlorn portraits. These poems are written so well that they ring true...it's easy to forget that they are poems and not pieces of autobiography. There is technique here, and patience with word choice and image. The closing piece, about Helen Keller, is worth the price of the book alone. I cannot recommend this book enough... I recommend it to everyone I talk to who's looking for a new poet (or not!).

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Women's voices offering an intimate view into women's livesLizzie Borden in Love, a collection of poems by national bestselling author Julianna Baggott, offers poignant commentary in the voices of women as varied as Mary Todd Lincoln and Monica Lewinsky. The poems often focus on a particular moment in life: Katherine Hepburn discovers the dead body of her brother in an attic, or painter Mary Cassatt mourns the failure of her eyesight. Sometimes heartbreaking, sometimes ecstatic, the poems in this collection never fail the trust of the subjects of their intimate portrayals

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