We'll Laugh Again Review

We'll Laugh Again
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In a remarkable journey, often nostalgic, Art is able to provide a sense of introspection through humor. Nobody escapes his treatment - senate, congress, diplomats, lobbyists, FBI, supreme court, presidents, talking heads, and the average "Joe". Often mixed with gentle irony, each "snippet" makes a point elegantly. His reflections on the Sep 11 tragedy is moving. The changing scenario with respect to homeland security and the new "thought processes" in Washington provides an opportunity to see the sometimes illogical aspects of our new lives. Overall, an excellent collection, reminding once again why Art is such a beloved personality in the newspaper world for such a long time. A must-read.

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Chris Alexander's Blood Spattered Book Review

Chris Alexander's Blood Spattered Book
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I picked up this book, not because I'm specifically a horror fan, but more due to an interest in cinema and also what's popularly known as countercultural artistic expression. I had no expectations regarding this book, nor had I any expectations about the quality of the writing or choice of films. I was pleasantly surprised by his enthusiasm, love of the genre, and yes, writing `chops'. Here's an example:
(On Alice, Dear Alice)
"...Mr. Alphonso is one of sick cinema's most stomach-churning pseudo-villains. Whether fanning his greasy, sweaty, repellant self in an easy chair while listening to opera, feeding his horde of many, mewling felines or lecherously pawing at Alice, his is a creation of brilliant slobbery and is just one of the many morally repellent adult characters who litter the film."
This book is a compilation of essays and there's always the danger that, because these were originally written as separate pieces, that he runs the risk of repetition or pulling the same rabbit out of the hat in a literary sense. I've read other essay compilations and by the end I felt like I had read the same thing over and over...because I had! Either through luck, careful editing or just plain writing ability he manages to avoid redundancy from article to article. Each essay feels fresh, and not that this book is meant to be read from beginning to end, if you read a few chapters in a row you don't get brain fatigue.
The best part of this book is his genuine, wide-eyed wonder at this genre of film. He's not some musty academic who sits in his cobwebbed library (although wouldn't that be an interesting character for one of these films?) and has decided to compile a number of essays before moving onto something that has nothing to do with this genre. It's clear from the way he writes that he loves, lives and breathes this type of film and not only that, but has something interesting to say about it.
Also, I liked how he deftly defies conventional critical opinion with some more reviled-than-not films such as `Maximum Overdrive' and `Angel Heart' (the latter one of his clear personal favorites). He doesn't follow the crowd, but presents his case and convinces, more often than not, that some of these films deserve a second chance.
Finally, the icing on the cake is the interviews with various film-makers, composers or actors for some of these films, some of which he takes great pains to track down. I only wish some of those interviews were longer, but for the most part, they satisfy. Plus, it is interesting to read what those artists' perspective is on their films, often many years later.


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Birthday Book Review

Birthday Book
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I chose this perpetual calendar book to record birthdays of friends and family because of its reasonable price. Much to my delight, the description given does not do it justice. This is a publication of the Metropolitan Museum of Art, and it is filled with color photos of pieces from the museum's collections. It also "contain[s] birthdays of people celebrated in art, with ample space to record your favorite birthdays" as described on the title page. The fine quality is no less than you would expect from the Met.

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The Bridge: The Role of Design in Marketing Review

The Bridge: The Role of Design in Marketing
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The Bridge is indeed aptly named, in that it enables the reader to understand and appreciate so many of the connections that affect our lives. We are shown how the designs and symbols of past millennia are reflected in the product and corporate logos of today. We learn of the connections between marketing and packaging, the roles of advertising and sales promotion, the shifting role of department stores, and a wide range of other topics of significance in today's world. Certainly a book of great value to students of advertising and promotion, The Bridge is also a book well worth reading for anyone simply interested in the changes taking place in our world.

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The Bridge is a new look at an old subject, the influence of art & design from the 1st millennium to the 21st century. It is carefully explored in this fascinating book about "commercial persuasion." Today's market managers would be wise to become aware of the value & diversity of the creative world just as the creative makers & graphic designers must learn to appreciate the marketing strategies & tactics that lead to the introduction of a new product. This book explores that world in a new & fresh way, one that is informative yet entertaining. Readers will learn how logos began, back in the mists of time & on ancient battlefields & how they are used today by big corporations. When did packages first appear & become brands, fiercely fighting for market dominance? Why is advertising so powerful a tool of persuasion that advertisers like Anheuser Busch are willing to pay $2.7 million for a 30 second commercial on the Superbowl? All these subjects & more are explored in this book by the

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Farm Book Review

Farm Book
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The Farm Book is done wonderfully with great art. It will remind many people that have left the Netherlands and now live overseas, of the many small details of Dutch Farm life. The expressions on the faces of the typical Dutch farmers are rendered as only Rien could do it. Farms, animals, vegetation, it all is portrayed the way we used to see it around us, when living in that small country. Old farm tools can be seen as well. There is a variety of things all related to the old fashioned farm, and of course his text is humorous. This book is great!!!

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Women and the Machine: Representations from the Spinning Wheel to the Electronic Age Review

Women and the Machine: Representations from the Spinning Wheel to the Electronic Age
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Writing from the perspective of an art historian, Julie Wosk examines the role of machines in helping women transform their lives, considering how these inventions and developments offered women new liberties, growing work-associated competencies, and ultimately confrontations with established perceptions of women's work. Add over 150 images of women at work with machines from American and European art depiction and you have Women And The Machine, a fascinating and informative blending of social history and art.

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Leonard Maltin's Movie Guide 2005 Review

Leonard Maltin's Movie Guide 2005
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I only agree with the reviews about 55% of the time, but the team that assembles this guide does a superb job of writing brief capsule descriptions of a wide variety of films. The reference information --- stars, directors, dates, widescreen processes --- may all be available elsewhere, but it's often a lot easier to pick up the book then it is to get up out of your easy chair, boot up the computer, go to the imdb, type in the info you're looking for...
It's true that this edition, formatted to fit into a mass-market paperback, has very small print. As an AARP member who needs trifocals, this can sometimes be an issue. However, Maltin's does publish the book in a larger-type edition (a "trade" paperback) which is published about three months after this smaller sized version. (Why don't they publish both simultaneously? Who knows...)
P.S. This book is also very handy for working crossword puzzles.

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The Art and Flair of Mary Blair Review

The Art and Flair of Mary Blair
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This has to have been one of the most eagerly-awaited books for animation pros and fans in a long while....and although Canemaker usually does a terrific job writing and editing animation tomes, he's done a frankly poor job here. Considering that Mary Blair is justly famous for her brilliant(in more ways than one)use of color, the reproductions are not good at all. The text is not only rehashed from Canemaker's much superior "Before the Animation Begins"(which has a chapter on Blair), it's awkwardly shortened here. As a matter of fact, the book itself-text and pictures-is ridiculously slim, given the sale price, and the fact that this will probably stand as the only book about the subject.
As another reviewer mentioned, Mary Blair did much more work than is represented here, particularly her children's illustration. It's mystifying as to why the author didn't include or couldn't find many, many more worthy examples of Blair's work to include, when in any month on Ebay, one can bid on some eye-popping merchandise(scarves, for one!), magazine illustration, greeting cards-and even original work-that has no representation here. It appears he merely asked two or three collector friends he knows for permission to publish what they owned, but that's it. A real shame and a pity. Still, diehards will have to have it(as I do)on their shelves-but this artist deserved a LOT more than this lazy, slapdash volume.

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First Job: A Memoir of Growing Up at Work Review

First Job: A Memoir of Growing Up at Work
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Rinker Buck has captured all the excitement, innocence, pluck, and wide-eyed enthusiasm in "First Job." I can't imagine anyone coming of age in the early 1970s who couldn't relate to his story. His ability in describing the lushness of the Berkshires is on a level with James Michener. Without the self-congratulatory sexual conquests, this could have been a near-perfect read. How much sexier the story could have been with just a hint of the romantic entanglements. Seems like an awful lot of explaining to do to the women in his family! That said, I'd still recommend this as a truly fun read. Way to go, Rinky!

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From the author of the acclaimed coming-of-age story Flight of Passage comes a rollicking memoir of a special time of his-and everyone else's-life. Rinker Buck's FirstJob is an enchanting and engaging book that not only captures the experience of being a "22year-old with the maxed out brain," but also lyrically evokes a special time and place-the Berkshire mountains of western Massachusetts in the early1970s. First Job is, on its most basic level, the story of Buck's years as a cub reporter at The Berkshire Eagle, a great country newspaper in its glory years, when it won a Pulitzer Prize and served as the launching pad for many journalists' careers. But on a deeper level, it is a story that serves as a paradigm for everyone's first job, replete with mentors who guided Buck through that raw and anxious time; loversand friends who exposed him to new levels of intimacy, vulnerability, and self-awareness; and adventures that could only have happened to a young man who didn't know any better. Everyone had a first job, and with rare storytelling power and emotions laid bare, Buck brings back just how it felt.

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Club Rules Review

Club Rules
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It says something about a writer's talent and his ability to transmit the vagaries of human nature when Trees can so readily capture my interest in spite of the landscape of his narrative. I kept waiting for some character in Club Rules- any character- to do something noble, to be something other than self-pitying, self-obsessed or self-serving. Didn't happen. Nonetheless, Trees has created the perfect novel of impermanence. Set in a small pond stocked with big fish in an exclusive country club enclave in the Midwest, either everyone has an angle or is too rich to care, although most are social climbers and hangers-on in search of opportunity. The iconic Anne and Preston Baird Winthrop are the king and queen of the set, the faux royalty that others envy and circle around, watching, emulating. But when Anne's suspicion of marital infidelity escalates to open confrontation and an emotional stalemate, a rift is opened in the marriage that has tragic consequences.
Anne's dilemma- and Preston's- might be sympathetic were they not so cushioned in the values of their lifestyle and uniquely unable to empathize or communicate, one crack in the surface of the relationship enough to send the regal Anne floundering, her husband barely engaged in the devastation of his marriage. The supporting characters are equally banal, some overtly vicious, the store owner who aspires to be Anne's closest confidant in order to gain social cache, the boorish Norman Bond who yearns to belong where he is merely the brunt of jokes, his newly-religious wife, the meticulously devious bank employee on the scent of a scandal and the spoiled, malicious boy aptly named Piggy after a character in The Lord of the Flies.
These characters come together in the various layers of their social strata, cling for a moment and then drift away. Golf remains a metaphor for lifestyle, the perfect game vs. the amateur, the cream always rising to the top, where it predictably curdles. Ambitions are realized, or shattered, while treading the pristine green of the country club golf course, a steady stream of personalities reflecting the shallow nature of modern life in the age of consumerism. This tale of betrayal, tragedy and complacence is for those with a taste for reality laced with cynicism and opportunism, truly a Nietzschean Garden of Eden. Luan Gaines/2010.


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The Best Year of Their Lives: Kennedy, Johnson, and Nixon in 1948: The Secrets of Power Review

The Best Year of Their Lives: Kennedy, Johnson, and Nixon in 1948: The Secrets of Power
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I should have known better. The last book I read that had a title, subtitle, and sub-subtitle confused me and that seems to have happened again. Morrow offers three titles, labels, or come ons: "The best years of their lives," "Learning the secrets of power," and "Kennedy, Johnson and Nixon in 1948." I'm still not sure which one is the `real' title. The three concepts each had promise. These are three American icons, both loved and despised. The year - 1948 - happened to be a pivotal year, not just for these three, but also for the rest of America. The hot war was cold, and the cold was getting hot, and the Baby Boom was booming. Opportunity and optimism seemed unlimited, especially to young, power hungry politicians like Nixon, Johnson and Kennedy.
The disappointment I felt was that none of the promises implied in the three labels for the book earned much attention from the author. Morrow tells us more about Whittaker Chambers and Alger Hiss than Richard Nixon, about George Smathers and Joe Kennedy than Jack Kennedy, and Coke Stevenson and Lady Bird rather than Lyndon Johnson. If these three presidents of the future learned any secrets of power in 1948, the secrets remain undiscovered by me. Maybe I'm not reading well enough into the analysis. Morrow waxes poetic about eerie parallels in lives, like Lana Turner and Richard Nixon, notes the impact of all the dead, diseased and disturbed relatives and their effects on the three main characters, and offers an encyclopedia of armchair psychoanalysis and cultural sidebars, mixing religion, crucifixion complexes, politics, Hollywood, and Albert Kinsey. Theories, not secrets.
It is not even clear how -if at all - that 1948 was the best year of each man's life. The attempt to link these three lives to the Hollywood film reminded me that 1948 was the best year of "our" lives, so I guess all Americans had a pretty good year in 1948, especially war veterans. But Johnson was not much of a veteran (Johnson's Silver Star makes John Kerry's Purple Hearts look like Medals of Honor) and Kennedy, well Morrow acknowledges that the PT-109 story was more of a court martial offense than the makings of a heroic legend. Even Nixon was more of a Mr. Roberts than any battle-scarred veteran. These men had more to be embarrassed about than proud when it comes to war service, but politics makes legends out of molehills and Morrow provides us with three moles. Morrow's tangential summary description of the role, character and accomplishments of George Marshall makes these three men look like the three blind mice.
Reading on, looking for integration or even a consistent narrative, the pages slipped away, leaving me scratching my head. When a 300-page book has only four chapters, maybe that should have been a sign. The stories jump all around, often into Jack Kennedy's sex life and his coarse way of rationalizing his need for sex, and Morrow seems to obsess about dark secrets, homosexuality, suicide, drunkenness and bankruptcy. These may be secrets a lot of people would like to keep a secret, but they don't tell me anything about "the secrets of power."
Stephen Ambrose (Nixon), Thomas Reeves (Kennedy) and Robert Caro (Johnson) are much better chroniclers of the more complete, factual, historic versions of the lives of thee important figures, including 1948.

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The Resurrectionists Review

The Resurrectionists
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Frank Cassidy is a likeable, well-read lowlife with the most dysfunctional family since Cain and Abel. His marriage is disintegrating, his job is going nowhere, his stepson hates him, and his wife's previous husband, awaiting execution in Georgia, hovers around the family like a malignant phantom. Into this dismal picture comes news that Frank's father (actually stepfather, actually his uncle, Ward), has been killed. Frank has fantasies of going back and claiming his share of the family farm; maybe even unraveling his tortured past, sorting out what really happened when his parents were mysteriously killed in a fire many years before.
Of course there are many complications between low life in New Jersey and new life in the upper peninsula of Michigan. For one, he isn't welcome; for another he has to steal two cars and $4000 to finance the trip. Strangely enough, you continue to like Frank, and you hope things will work out for him. And in strange, unexpected ways, they do.
Along the way he tries to reconstruct his past, hidden behind layers of family secrets, and the destructive probing of an incompetent therapist many years before. And the surprise ending is really out of the ordinary.
Michael Collins is an excellent writer, but the book does have some flaws. The dialogue is sometimes had to believe, too literary for the characters who are speaking it. The portrayal of psychiatric illness and treatment is so far from reality, even for the time portrayed, that it is a little embarrassing to the modern reader. The author should have done a bit more homework in this area.
All in all, though, the book works, it is entertaining, it keeps you involved, and--yes--the characters do find new life. I recommend this book. Louis N. Gruber

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If You've Seen One, You've Seen the Mall: EUROPEANS AND AMERICAN MASS CULTURE Review

If You've Seen One, You've Seen the Mall: EUROPEANS AND AMERICAN MASS CULTURE
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The Publisher's Weekly review is blatantly inaccurate. I felt that Kroes' thoughts on American culture were the farthest thing from "arrogant". He spends a lot of time criticizing traditionally condescending European views of American culture, and I feel that his own views are quite reasonable. He accepts cultural relativity and does not strike a holier-than-thou pose at all.
That said, I do think that Kroes' attempt to study such a broad topic using such small examples is a bit strained. Also, the first chapter is insufferably intellectual and boring. Nevertheless, Kroes provides an interesting perspective on European views of American culture.

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The Secret Lives of Frames: One Hundred Years of Art and Artistry Review

The Secret Lives of Frames: One Hundred Years of Art and Artistry
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I bought this book as a gift for my husband, whose family has been in the picture frame business for over 40 years. I really bought it for the photographs, which are truly outstanding. They illustrate the beautiful, hand-carved frames of long ago, when gold truly meant genuine gold leaf. This book is almost a history of frame-making.

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This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century Review

This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century
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There's some insight here into the origins of David Byrne's lyrics, but it's tough to trust anything beyond that. The author can't spell "The Shaggs" or the German group "Can" or legendary Country singer "Cowboy Copas". He regularly misattributes songs to artists who didn't perform them. He apparently considers the B-52's an all-girl group - whether that's just stupid or some sort of slam against homosexuals is unclear. He makes statements about bands like Fun Boy Three (he doesn't get the name right either) being "obscure", despite the fact that they'd had more hits than the Talking Heads in the UK at that point.
In short, he seems to know very little about music in general. The book concentrates disproportionately on artistic influences on the band rather than musical ones. It's interesting as one rarely gets that point of view.
On the other hand, I suspect his fact-checking relative to artists is as bad as his fact-checking relative to musicians.
Early in the book, he quotes the band members quite heavily, though with a few dozen pages, this disappears entirely. There are hints that the band doesn't like him, with the implication being that all contact with band members is halted relatively early in the process. Much of the book is about the "battle" between Weymouth and Byrne, but it's tough to say whether this was the fundamental crux of the band's problems or not. Despite mentioning it frequently, there's not much substance behind any of it.
In short, this is worth a quick glance, but borrow it from your library like I did. Spend the money on a record instead.

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Men's Adventure Magazines Review

Men's Adventure Magazines
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While I agree with other reviewers that Feral House's "It's A Man's World" is a vastly superior book, This is still a nice collection of images for the purveyor of unique Americana.
I collect these insane artifacts and there just can't possibly be enough books published on the subject. SO BUY 'EM ALL!
The "normal" Pulps have ignored and hidden away their retarded younger brother for too long. It's time to let him out of the cellar. Try to find a book on the history of "The Pulps" that admits these lurid items were the final incarnation of the format! YOU CAN'T! All those authors are ashamed to admit the legacy that fostered The Shadow, Tarzan and Conan ended brutally with the Men's Adventure Magazines. Now the truth is out. YOU CAN'T HANDLE THE TRUTH!
Anyway, buy Feral House's book first, then buy this one too. It makes a decent addendum to the Feral House book. You can never have too much lurid art to amaze your friends with...

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Hefty comprehensive guide to postwar American men's adventure magazines; includes descriptions of history, culture and artistry of the magazines of the 1950s-1970s.

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Kids Travel: A Backseat Survival Kit Review

Kids Travel: A Backseat Survival Kit
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My family went on a 12 hour car trip, and I purchased 2 of these-one for an 8 year old and one for a 5 year old. It was great for the 8 year old-he loved everything about it. It was a little over the 5 year olds head, but he had fun "pretending" to do everything. So, all in all, I am so glad I got the book-it made the trip fun--we all loved looking for new license plates!!

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